A document of Martin Beck's video work of the same title, showing the assembly and disassembly of the seminal 1948 Struc-Tube exhibition system by the American designer George Nelson. Essays by Emily Pethick, Bill Horrigan and Martin Beck contextualise the work within contemporary artistic practice and elaborate on aspects of sovereignty and control in modern exhibition history.
Paperback
64 pages
23 x 18 cm
£9.95, 15 Euros, $19
ISBN 978-0-9545025-5-3
Co-published by Casco, Office for Art, Design and Theory & Four Corners Books
